Mother of Shells  
Medium: Oil on canvas
Dimensions: 240 × 160 cm 
Year: 2024 
 Artwork Description : The figure of the artist’s wife, reimagined as a mythic beetle-human hybrid. 

This large-scale oil painting presents a powerful
metamorphic figure—part woman, part insect, part myth. Inspired by the artist’s wife, the subject has been transformed into a visionary “beetle-human” from a chaotic future world. She sits within a pulsating, semi-transparent orb, her abdomen composed of clustered, organic forms—bulbous, glandular, moist—evoking a tension between fecundity and mutation. 

The figure’s body is marked by multiple breasts, emphasizing an almost primal force of fertility, desire, and maternal energy. Her headgear resembles twin crocodilian forms—signs of raw instinct, untamed vitality, and direct sensuality. 

 Symbiotic Genesis in the Womb of Fate 

Medium: Oil on canvas 

Dimensions: 240 × 160 cm 

Year: 2024 
  Artwork Description : This painting depicts a beetle-human hybrid, not based on a single figure, but formed through the fusion of myself and my wife. We come from different cultural and familial backgrounds, but through marriage and the shared experience of raising a child, we’ve entered a collective life proposition—a path of intertwined destinies. Along the way, there have been moments of tension, warmth, entanglement, negotiation, and the delicate balance of intimacy and distance. All of this—human complexity in its rawest form—resides in the DNA of this piece. 

The creature in the painting is a mutating, hybridized form—at once primal and futuristic. It feels like a Martian life form, yet it’s rooted in humanity’s most ancient desires: reproduction, creation, transformation. Its body bursts with swelling forms, multi-breasted anatomy, and a pulsating abdominal sac, embodying a mythic archetype of fertility, chaos, and divine grotesquerie.  

Dawn Walker

Medium: Oil on canvas  
Dimensions: 150 × 75 cm
Year: 2024 
 Artwork Description : 

 Set in a misty forest at the break of dawn, Dawn Walker presents a solitary beetle-woman emerging into the waking landscape. Shrouded in soft gray light and framed by jagged mountain silhouettes, the scene captures a moment when the world is still hushed—half-asleep, half-alive. 

The central figure stands poised on elongated, insectoid limbs, her body both regal and unsettling. Her abdomen swells with sac-like forms that evoke fertility, biological multiplicity, and a quiet eroticism. She does not confront the viewer, but instead gazes inward—lost in thought as she traverses the soft terrain. 

The painting fuses surreal myth and psychological realism. The palette—cool grays, shadowy greens, and dusty pinks—evokes a liminal emotional space, as if nature itself were caught between sleep and consciousness. The figure’s presence does not disturb the forest; rather, she seems to belong to its secret rhythms, like a creature born of twilight and transformation. 

 Mother of Shells  
Medium: Oil on canvas
Dimensions: 240 × 160 cm 
Year: 2024 
 Artwork Description : The figure of the artist’s wife, reimagined as a mythic beetle-human hybrid. 

This large-scale oil painting presents a powerful
metamorphic figure—part woman, part insect, part myth. Inspired by the artist’s wife, the subject has been transformed into a visionary “beetle-human” from a chaotic future world. She sits within a pulsating, semi-transparent orb, her abdomen composed of clustered, organic forms—bulbous, glandular, moist—evoking a tension between fecundity and mutation. 

The figure’s body is marked by multiple breasts, emphasizing an almost primal force of fertility, desire, and maternal energy. Her headgear resembles twin crocodilian forms—signs of raw instinct, untamed vitality, and direct sensuality. 

 Symbiotic Genesis in the Womb of Fate 

Medium: Oil on canvas 

Dimensions: 240 × 160 cm 

Year: 2024 
  Artwork Description : This painting depicts a beetle-human hybrid, not based on a single figure, but formed through the fusion of myself and my wife. We come from different cultural and familial backgrounds, but through marriage and the shared experience of raising a child, we’ve entered a collective life proposition—a path of intertwined destinies. Along the way, there have been moments of tension, warmth, entanglement, negotiation, and the delicate balance of intimacy and distance. All of this—human complexity in its rawest form—resides in the DNA of this piece. 

The creature in the painting is a mutating, hybridized form—at once primal and futuristic. It feels like a Martian life form, yet it’s rooted in humanity’s most ancient desires: reproduction, creation, transformation. Its body bursts with swelling forms, multi-breasted anatomy, and a pulsating abdominal sac, embodying a mythic archetype of fertility, chaos, and divine grotesquerie.  

Dawn Walker

Medium: Oil on canvas  
Dimensions: 150 × 75 cm
Year: 2024 
 Artwork Description : 

 Set in a misty forest at the break of dawn, Dawn Walker presents a solitary beetle-woman emerging into the waking landscape. Shrouded in soft gray light and framed by jagged mountain silhouettes, the scene captures a moment when the world is still hushed—half-asleep, half-alive. 

The central figure stands poised on elongated, insectoid limbs, her body both regal and unsettling. Her abdomen swells with sac-like forms that evoke fertility, biological multiplicity, and a quiet eroticism. She does not confront the viewer, but instead gazes inward—lost in thought as she traverses the soft terrain. 

The painting fuses surreal myth and psychological realism. The palette—cool grays, shadowy greens, and dusty pinks—evokes a liminal emotional space, as if nature itself were caught between sleep and consciousness. The figure’s presence does not disturb the forest; rather, she seems to belong to its secret rhythms, like a creature born of twilight and transformation.